Histoire de l’art du Moyen Âge

L'étude de l'histoire de l'art du Moyen Âge englobe tous les genres artistiques des pays de l'Europe occidentale et centrale de la fin de l'Antiquité jusqu'à la fin du Moyen Âge dont les limites sont d'ailleurs difficiles à déterminer.

En outre les représentants de la branche souhaitent actualiser l'étude du Moyen Âge dans le sens de «l’histoire totale» en essayant de montrer que les structures sociales et mentales du Moyen Âge continuent de laisser une empreinte dans les activités artistiques des temps modernes.

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  • Equipe
    Nzambi Muala

    Secrétaire

    MIS 05 – Bureau 5142
     E-Mail

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  • Publications

    2025

    • Bacci, Michele,Tioli, Eleonora, Šćepanović, Vesna, Differently Bound. Devotions and Rituals in Medieval Accounts of Asia, hg. v., Iconographica Library 2, Firenze, Sismel Edizioni del Galluzzo [erscheint 2025];
    • Cult-phenomena in the Dalmatian ports in their Mediterranean context 1200–1500, Leiden [erscheint 2025];

    2024

    • Bodnaruk, Mariana, Transgender Materialism: Gender and Sexuality in the Life and Passion of Susanna, Journal of Late Antiquity 17.2 (2024), 422-450;
    • Bodnaruk, Mariana, “Urban Spatiality, Honorific Statuary, and the Celebration of Aristocratic Power in the Later Roman Empire,” Antichthon:Journalof the Australasian Society for Classical Studies 58 (2024).
    • Chitishvili, Natalia, Upper Galleries in Medieval Georgian Church Architecture, Georgian Antiquities, 27 (2024), pp. 138-195.
    • Šćepanović, Vesna, Decoding the Cultic Physiognomof San Zaccaria's Monastery in Venice. Rethinking Pilgrims' Travelogues, Convivium [erscheint 2024];
    • Nasr, Rafca Youssef, The Paintings of Mar Elias Btina in Beirut, Mirror of Monastic Life.” In Byzantine, Medieval Georgian and East Christian Monasteries: Art, Architecture, and Literature, edited by Nina Chichinadze, Tbilisi: Medieval Studies Center Ilia State University, 2024, 51–84.
    • Nasr, Rafca Youssef, The Apse Decoration in the Light of Eucharistic Liturgy: Theophanies in the Medieval Churches of Lebanon, Brill [Mediterranean Art Histories], angenommen;
    • Šćepanović, Vesna, Decoding the Cultic Physiognomof San Zaccaria's Monastery in Venice. Rethinking Pilgrims' Travelogues, Convivium [erscheint 2024];
    • Varela, Alexandre (hg. v.) avec Chevallereau, François, Desreumaux Alain, Plans et décors des églises du Ṭūr ‘Abdīn par Monsieur l’Abbé Jules Leroy. Missions 1967–1969, Paris 2024;
    • Varela, Alexandre, Mor-Bassus and Mor-Awgin, Two Syriac Monasteries in their artistic, historical and hagiographical context in Chichinadze, Nino, Liakos, Dimitris et Javakhishvili, Manana (hg. v.) Medieval Monasteries and Monasticism, Tbilisi 2024;

    2023

    • Bacci, Michele, Grigoryan, Gohar, Studer-Karlen, Manuela, Staging for Commemoration. The Cherubikos Hymnos, in Staging the Ruler’s Body in Medieval Cultures. A comparative perspective (Éds.), Turnhout 2023, pp. 173–201;
    • Bacci, Michele, Natalia Chitishvili, Studer-Karlen, Manuela, Medieval Svaneti, Objects, Images, and Bodies in Dialogue with Built and Natural Spaces (Convivium Supplementum 12), Turnhout 2023;
    • Bacci, Michele, Grigoryan, Gohar, Studer-Karlen, Manuela (Éds.) Staging the Ruler’s Body in Medieval Cultures. A comparative perspective, Turnhout 2023;
    • Bacci, Michele, Natalia Chitishvili, Grigoryan, Gohar, Kaffenberger, Thomas, Studer-Karlen, Manuela (eds), Approaches to Sacred Space(s) in Medieval Subcaucasian Cultures, Roma 2023;
    • Bacci, Michele, Grigoryan, Gohar, Studer-Karlen, Manuela (Éds.), Staging the Ruler’s Body in Medieval Cultures. A Comparative Perspective, Turnhout 2023 [https://doi.org/10.1484/M.HMSAH-EB.5.134720];
    • Bacci, Michele, Crivello, Fabrizio et Šćepanović Vesna (eds), Images in Premodern Societies. A Dialogue about the State of the Field on the Occasion of the 20th Anniversary of «Iconographica», Firenze 2023 [https://doi.org/10.36167/ICOL01PDF];
    • Bacci, Michele and Foletti, Ivan (eds), Convivium 10/2 (2023);
    • Bacci, Michele, Foletti, Ivan (eds) Cultural Interactions in the Medieval Subcaucasian Region: Historiographical and Art-Historical Perspectives, Brno-Roma: Viella-Muni Press, 2023 [2 vols, Convivia 4; https://doi.org/HYPERLINK "https://doi.org/10.52056/9791254694978"10.52056/9791254694978];
    • Bodnaruk, Mariana, Clarissimae memoriae: Two Inscribed Roman Senatorial Sarcophagi in Jerusalem’s Bible Lands Museum. The Journal of Epigraphic Studies 6 (2023), 201-216;
    • Bodnaruk, Mariana, Two Early Christian Decorated Sarcophagi for Senatorial Women from Rome in the Bible Lands Museum of Jerusalem: Authenticity, Provenance, Dating. Phoenix 77.1-2 (2023), 131-156;
    • Grigoryan, Gohar, The Construction of Sacred Spaces in Thirteenth-Century Armenia: Liminal Experience and Spiritual Expectations within the Gawit‛, in Approaches to Sacred Space(s) in Medieval Subcaucasian Cultures, Rome 2023, pp. 100-137;
    • Grigoryan, Gohar, The Just Judgement of King Lewon IV. Representational Strategies of Righteous Rulership in Cilician Armenia, in: Staging the Ruler’s Body in Medieval Cultures: A Comparative Perspective, Turnhout 2023, pp. 79–116 [https://doi.org/10.1484/M.HMSAH-EB.5.135005]; 
    • Nasr, Rafca Youssef, Šćepanović, Vesna, Zoitou, Sofia, Portraying Medieval Women in the Latin East: Historiographical Perspectives, Methodological Considerations and the Case of Medieval Painting from Lebanon, dans: Convivium 2023, pp. 65–96;
    • Nasr, Rafca Youssef, The Paintings of Mar Elias Btina in Beirut, Mirror of Monastic Life, dans: Byzantine, Medieval Georgian and East Christian Monasteries: Art, Architecture, and Literature. Tbilisi 2023; 
    • Šćepanović, Vesna, Les magiciens de la Pierre. Art, architecture et paysage en Arménie et Géorgie / I maghi della pietra. Arte, architettura e paesaggio in Armenia e Georgia / Die Steinmagier. Kunst, Architektur und Landschaft in Armenien und Georgien, éd. parBacci, M., Foletti, I., Šćepanović, V.,  Masarykova univerzita 2023
    • Studer-Karlen, Manuela, Bibliography of a Landmark. The Chora Monastery and Kariye Camii in Constantinople/Istanbul from Late Antiquity to the 21st Century, Leiden/Boston 2023;
    • Studer-Karlen, Manuela, Mittelalterliche und neuzeitliche Grabinschriften auf frühchristlichen Sarkophagen, dans: Writing on Tombs in Medieval and Early Modern Times, Lucherini, V, Michalsky, T. Carnevale, D. (eds.), Roma 2023, pp. 147–163;
    • Studer-Karlen, Manuela (ed.), Walking through the Narthex, The Rite in the Chora, in Bibliography of a Landmark. The Chora Monastery and Kariye Camii in Constantinople/Istanbul from Late Antiquity to the 21st Century, Leiden/Boston 2023, pp.31–73;
    • Studer-Karlen, Manuela, Bacci, Michele, Chitishvili, Natalia. (eds.), Image and Liturgy, The Church of the Archangels in Tanghili, in Medieval Svaneti, Objects, Images, and Bodies in Dialogue with Built and Natural Spaces (Convivium Supplementum 12), Turnhout 2023, pp.140–159;
    • Studer-Karlen, Manuela , Bacci, Michele and Chitishvili, Natalia (eds), Medieval Svaneti. Objects, Images, and Bodies in Dialogue with Built and Natural Spaces, Brno: Convivium, 2023 [Convivium Supplementum 2023/2; https://doi.org/10.1484/M.CONVISUP-EB.5.136524].

    2022

    • Bacci, Michele, Studer-Karlen, Manuela  (eds.), Meanings and Functions of the Royal Portrait in the Medieval Mediterranean (11th–15th Centuries), Leiden: Brill, 2022 (‘The Medieval Mediterranean’ 130);
    • Bacci, Michele, Le vie del Mediterraneo. Icone tra Venezia e Bisanzio, Milano 2022;
    • Grigoryan, Gohar, A Jacobean Shell for ,Šahuk, servant of God‘, in, Armenia through the Lens of Time, Multidisciplinary Studies in Honour of Theo Maarten van Lint, hg. v. F. Alpi et al., Leiden 2022, pp. 56–78;
    • Grigoryan, Gohar, Chapter 1: Royal Images and Coronation Celebration in the Sermons of Yovhannēs Pluz Erznkac‛i, in: Meanings and Functions of the Royal Portrait in the Mediterranean World (11th-15th cc.), ed. par M. Bacci und M. Studer-Karlen, Leiden 2022, pp. 33-57;
    • Grigoryan, Gohar, Armenian Colophons on the Takeover of Sis (1375), dans: Revue des Études Arméniennes 40 (2021), pp. 85–99; 41 (2022), pp. 631-632;
    • Rafca Youssef Nasr, The Newly Discovered Paintings of Saydet El-Rih in Enfeh (Lebanon). Studia Orientalia Christiana Collectanea 55 (2022): pp. 235–66;
    • Rafca Youssef Nasr, The Newly Discovered Wall Paintings in Saydet el-Rih in Enfeh (Lebanon) through Graphic Survey. Eikón Imago 11 (2022): 287–98;
    • Un regard autre?, in Jean-François Corpateaux (éds), Parerga. Pour Victor I. Stoichita, Genève 2022, pp. 95–105;

    2021

    • Bacci, Michele, Βένετο-Βυζαντινές Αλληλεπιδράσεις στη ζωγραφική εικόνων (1280–1450), Athen 2021;
    • Bacci, Michele, Giunta Pisano e la tecnica pittorica del Duecento, éd. par Michele Bacci und Caterina Bay, Firenze 2021;
    • Bacci, Michele, Emérico Vicente Juhász, Pinturas y grafitos. Basílica de la Natividad en Belén, éd. par Michele Bacci, Milano 2021;
    • Bacci, Michele, Le vie del Mediterraneo. Icone tra Venezia e Bisanzio, Milano 2021;
    • Bacci, Michele, Reliquiensammlungen in Jerusalem und Zypern (12.-14. Jahrhundert), dans: Manfred Luchterhandt and Hedwig Röckelein (eds), Palatium Sacrum. Sakralität am Hof des Mittelalters. Orte, Dinge, Rituale, Regensburg 2021, pp. 279–299; 
    • Bacci, Michele, Sacred Spaces versus Holy Sites: On the Limits and Advantages of a Hierotopic Approach, dans: Jelena Bogdanović (eds), Icons of Space. Advances in Hierotopy, Abingdon and New York: Routledge, 2021, pp. 15–29;
    • Bacci, Michele, La cintura della Vergine nell’Oriente mediterraneo, dans: Andrea De Marchi (Éd.), Cinturale: intersezioni e comparazioni a partire da Prato e dalla Cintola, Firenze: Sismel, 2021 (= Iconographica, Sonderveröffentlichung 2021), pp. 25–37;
    • Bacci, Michele, Marian Icon Worship as a Medium of Transcultural Exchange in 14th Century Bohemia, dans: Ivan Foletti, Ondřej Jakubec, Radka Nokkala Miltová (Éds.), Central Europe as a Meeting Point of Visual Cultures. Circulation of Persons, Artifacts, and Ideas, Roma 2021, pp. 53–75;
    • Grigoryan, Gohar, (Éd.), Bibliography of Publications of the Mother See of Holy Etchmiadzin (1772–1920), Etchmiadzin 2021, 599 p. (en arménien);
    • Grigoryan, Gohar, Mariun: An Exiled Queen’s Pilgrimage and Death in Jerusalem, in: Al-Usur al-Wusta: The Journal of Middle East Medievalists 29 (2021), pp. 217–255;
    • Grigoryan, Gohar, Armenian Colophons on the Takeover of Sis (1375), dans: Revue des Études Arméniennes 40 (2021), pp. 85–99;
    • Grigoryan, Gohar, Au sujet de l’authenticité des deux feuillets d’un manuscrit « cilicien », dans: Revue des Études Arméniennes 40 (2021), pp. 263–296;
    • Grigoryan, Gohar, Bibliography of Publications of the Mother See of Holy Etchmiadzin (1772–1920), Etchmiadzin 2021, 744 p. (en arménien);
    • Kaffenberger, Thomas, Un Jugement Dernier dans les marges? L’iconographie relationnelle des peintures murales de Sogn Luregn (Saint-Laurent) à Paspels, dans les Grisons, in: Parerga. Études en hommage à Victor I. Stoichita, éd par Jean-François Corpataux, Genève/Paris 2021, pp. 65–78:
    • Šćepanović, Vesna, Recension de livre : Balzamo, N., Les êtres artificiels. Essai sur le culte des mages en Occident, XIVe–XVIIe siècle, par  Šćepanović, Vesna dans : Freiburger Zeitschrift für Philosophie und Theologie 68 (2021), Vol 2, pp. 679–681;
    • Studer-Karlen, Manuela, Chitishvili, Natalia, Kaffenberger, Thomas, Georgia as a Bridge between Cultures. Dynamics of Artistic Exchange. Convivium supplementum, Brno 2021;
    • Studer-Karlen, Manuela, Chitishvili, Natalia, Kaffenberger, Thomas (Éds.), Georgia as a Bridge between Cultures. Dynamics of Artistic Exchange. Introduction, dans: Georgia as a Bridge between Cultures. Dynamics of Artistic Exchange. Convivium supplementum, Brno 2021, pp. 11–17;
    • Studer-Karlen, Manuela, Chitishvili, Natalia, Kaffenberger, Thomas (Éds.), The Monastery of the Transfiguration in Zarzma. At the Intersection of Biblical Narration and Liturgical Reference, dans: Georgia as a Bridge between Cultures. Dynamics of Artistic Exchange. Convivium supplementum, Brno 2021, pp. 138–67.

    2020

    • Bacci, Michele, On the Prehistory of Cretan Icon Painting, Frankokratia 1 (2020), pp. 108–164;
    • Bacci, Michele, Greek Madonnas and Venetian Fashion, Convivium 7 (2020), pp. 152–177;
    • Bacci, Michele, Icone trecentesche della Schöne Madonna, Arte Medievale, ser. IV, 10 (2020), pp. 247–260;
    • Bacci, Michele, Images à la grecque et agentivité miraculeuse à l’époque moderne, in Nicolas Balzamo and Estelle Leutrat (eds.), L’image miraculeuse dans le Christianisme occidental. Moyen Âge – Temps modernes, Rennes 2020, pp. 131–148;
    • Bacci, Michele, Local Cults and Their Integration into Bethlehem’s Sacred Landscape in the Late Medieval and Modern Periods, dans: Mitri Raheb (Éd.), A Sociocultural History, Bethlehem: Diyar Publishers, 2020, pp. 25–40;
    • Bacci, Michele, Il Dittico a micromosaico del Museo dell’Opera come bene di lusso e oggetto di devozione, dans: Rita Filardi (Éd.), Il Dittico bizantino in micromosaico. Atti della giornata di studi (Firenze, Antica Canonica di San Giovanni, 23 novembre 2018), Florence 2020, pp. 30–50;
    • Bacci, Michele, Corpi iconizzati e immagini ‘corporizzate’, dans: Anna Orriols, Jordi Cerdà, and Joan Duran-Porta (Éds.), Imago & Mirabilia. Les formes del prodigi a la Mediterrània medieval, Barcelona: Universitat Autònoma/Bellaterra, 2020, pp. 113–124;
    • Grigoryan, Gohar (Éd.), Bibliography of Publications of the Mother See of Holy Etchmiadzin (1772–1920), Etchmiadzin 2021 (en arménien);
    • Grigoryan, Mariun, An Exiled Queen’s Pilgrimage and Death in Jerusalem, in, Al-Usur al-Wusta, The Journal of Middle East Medievalists 29 (2021), pp. 217–255;
    • Grigoryan, Au sujet de l’authenticité des deux feuillets d’un manuscrit ‹cilicien›, dans: Revue des Études Arméniennes 40 (2021), pp. 263–296; 
    • Grigoryan, Gohar, Two Armenian Manuscripts in Switzerland (with an annotated translation of a newly-found abridgement of the Commentary of Canon Tables attributed to Step‛anos Siwnec‛i), Le Muséon 2020;
    • Grigoryan, Gohar, Review essay of H. Z. Watenpaugh, The Missing Pages: The Modern Life of a Medieval Manuscript from Genocide to Justice, Stanford University Press 2019, Journal of the Society for Armenian Studies 2020;
    • Grigoryan, Gohar, Medieval Context and Modern Realities of a Genocide-Survivor Artwork: Review essay of H. Z. Watenpaugh’s The Missing Pages, in: Journal of the Society for Armenian Studies 27/1 (2020), pp. 117–130.
    • Kaffenberger, Thomas, Tradition and Identity: The Architecture of Greek Churches in Cyprus (14th to 16th Centuries) (Scrinium Friburgense 46), Wiesbaden 2020;

    2019

    • Grigoryan, Gohar, King Gagik Arcruni’s Portrait on the Church of Aght‛amar, dans: Le onzième centenaire d’Aght‛amar: politique, art et spiritualité au royaume du Vaspurakan, éd. par Pogossian, Z., und Vardanyan, E., Leiden 2019;
    • Grigoryan, Gohar, Chapter 15. King Gagik Arcruni’s Portrait on the Church of Ałt‛amar dans: Z. Pogossian & E. Vardanyan (eds.), The Church of the Holy Cross of Ałt‛amar: Politics, Art, Spirituality in the Kingdom of Vaspurakan, Leiden: Brill, 2019, pp. 416–440;
    • Grigoryan, Gohar, The frescoes of the Armenian Church of Famagusta, in, Armenian frescoes, Collection of scientific articles and materials, éd. par K. Matevosyan, Yerevan 2019, pp. 286–288;
    • Kaffenberger, Thomas, A rural church for an urban elite. Thoughts on the architectural concept and historical context of the unfinished church in Agios Sozomenos, Cyprus, dans: The Art and Archaeology of Lusignan and Venetian Cyprus, éd. par Maria Parani et Michalis Olympios, Turnhout 2019, pp. 101–124;
    • Kaffenberger, Thomas, A rural church for an urban elite. Thoughts on the architectural concept and historical context of the unfinished church in Agios Sozomenos, Cyprus, dans : The Art and Archaeology of Lusignan and Venetian Cyprus, éd, par Maria Parani und Michalis Olympios, Turnhout 2019, pp. 101–124;
    • Kaffenberger, Thomas, Portale als künstlerische Schaustücke und Orte sozialer Inszenierung. Die griechische Kathedrale der Panagia Hodegetria in Nicosia, Zypern, dans : Das Kirchenportal im Mittelalter, éd. par. Stephan Albrecht, Stefan Breitling und Rainer Drewello, Bamberg 2019, pp. 190–201;
    • Kaffenberger, Thomas, The so-called Unidentified Church No. 18. Observations on a minor urban church of the middle ages in Famagusta, Cyprus, dans : The Many Face(t)s of Cyprus (ed. Dorina Glörfeld, Kim Kittig, Bärbel Morstadt and Constance von Rüden), Bonn 2019, pp. 57–75;
    • Studer-Karlen, Manuela, Les Typologies mariales dans l’art paléologue, dans : Byzantina 36 (2019);
    • Studer-Karlen, Manuela, Rezension zu: N. Büchsenschütz, Iberische Halbinsel und Marokko. Repertorium der christlich-antiken Sarkophage Bd. 4, Wiesbaden, dans: GFA, 22 (2019), pp. 1073–1082;
    • Studer-Karlen, Manuela, Beobachtungen zu den Porträtdarstellungen auf frühchristlichen Sarkophagen, dans : Privatporträt. Die Darstellung realer Personen in der spätantiken und byzantinischen Kunst, ÖAW, Tsamakda, V., Zimmermann, N. (Éd.), Wien 2019, pp. 71–84;
    • Vagnoni, Mirko, Chapter 15. King Gagik Arcruni’s Portrait on the Church of Ałt‛amar, in Z. Pogossian & E. Vardanyan (eds.), The Church of the Holy Cross of Ałt‛amar: Politics, Art, Spirituality in the Kingdom of Vaspurakan, Leiden: Brill, 2019, pp. 416–440;
    • Vagnoni, Mirko, Epifanie del corpo in immagine dei re di Sicilia (1130–1266), Palermo, Palermo University Press [Artes], 2019; 
    • Vagnoni, Mirko, Sacralità regia e iconografia regia alla corte normanna di Sicilia, in Palatium Sacrum. Sakralität am Hof des Mittelalters: Orte – Dinge – Rituale, éd. par  M. Luchterhandt and H. Röckelein, Proceedings of the International Conference (Göttingen, 18–20 juin 2015), Regensburg, Schnell & Steiner, 2019, pp. 223–242;
    • Vagnoni, Mirko, Meanings and Functions of Norman Royal Portrait in the Religious and Liturgical Context: the Mosaic of the Cathedral of Monreale, Iconographica. Studies in the History of Images 18 (2019), pp. 26–37;
    • Vagnoni, Mirko, Royal Epiphanies. The King’s Body as Image and Its Mise-en-scène in the Kingdom of Sicily (1130–1266), in Souls of Stone. Funerary Sculpture: from Creation to Musealization, éd. par G. Rossi Vairo, Proceedings of the International Conference (Lisbon, 2–4 novembre 2017), Lisbon 2019, pp. 295–309; 
  • Conférences

    2025

    • Grigoryan, Gohar, The Assizes of Antioch and the Visualisation of the King’s Institution in Cilician Armenia, XVI General Conference of the Association Intérnationale des Études Arméniennes, University of Geneva and University of Lausanne, 09–11.01.2025;

    2024

    • Chitishvili, Natalia, Above the Nave: Architecture and Function of Upper-Level Spaces in Medieval Georgian Churches (Final Workshop of the SNSF Lead Agency Project), Cultural Interactions in the Medieval Subcaucasian Region: Historiographical and Art-Historical Perspectives, Fribourg University, Switzerland, 04.12.2024.

    • Grigoryan, Gohar, Sacred Spaces and the Search for Eschatological Glory in Thirteenth-Century Armenia, Final workshop of the SNSF project Cultural Interactions in the Medieval Subcaucasian Region, University of Fribourg, 04.12.2024;

    • Zoitou, Sofia, The Project LEFem and its Database, international workshop Patrons and Sponsors of Inscriptions in the Eastern Mediterranean, Centre d’études supérieures de civilisation médiévale (CESCM), Poitiers, 9-10.10.2024 ;

    • Attali, Maureen, « Jews at Greek Therapeutic Sanctuaries: A Case of Trans-Religious Healing Practices in Late Antiquity », THAUMA: Practices of the Sacred and the Profane in the Ancient Mediterranean international conference, Cordoba, Oct. 2024;

    • Grigoryan, Gohar, Lecture: Armenians and Crusaders: Artistic Encounters (12th-14th cc.), University of Fribourg, 24.09.2024;

    • Attali, Maureen,  « Pilgrimage Attendance: A Co-Produced Rhetoric of Religious Deviance in Ancient Judaism, Christianity, and Islam », Co-producing Heresies: Judaism, Christianity, and Islam international conference, Münchenwiler, Sept. 2024;

    • Zoitou, Sofia, Matter, Materiality and Pilgrimage in Pre-Modern Times: Production, Staging and Reception, session chair with Ivan Foletti and Vesna Scepanovic, 36e Congrès du Comité International d’Histoire de l’Art Matière Matérialité, Lyon, 26.06.2024 ;

    • Varela, Alexandre, « Imprimer et exprimer la foi : creux et reliefs épigraphiques en Mésopotamie du Nord. », colloque international Logiques du négatif : traces et empreintes dans l'art du Moyen Âge et des temps modernes (3epartie), Université de Fribourg, 15.05.2024 ;

    • Kazmuková, Kveta, L’art et le Goulag : lire et interpréter les documents des persécutions staliniennes organisée par Nadia Podzemskaia et Luba Jurgenson ITEM (CNRS/ENS, Eur’Orbem (Sorbonne-Université/CNES) et Mémorial France, Institut d’études slaves, Paris, 27. 03. 2024 ;

    • Zoitou, Sofia,  Medieval Pilgrimage and Art in the Eastern Mediterranean, public lecture in the frame of the Master’s Seminar Cycles, Department of Archaeology, Lebanese University, Beirut, 27.03.2024;

    • Grigoryan Savary, Gohar, Lecture: Political rituals and urban communities in Cilician Armenia, Lecture series East of Byzantium, Harvard University and Mary Jaharis Center for Byzantine Art and Culture, 27.02.2024;

    • Grigoryan Savary, Gohar, An illustrated Armenian law book and the ceremonial mise-en-scène of the king’s body, CAA 112 Annual Conference, ICMA-sponsored session: Medieval Ritual Representations, Model of or Model for?, Chicago, IL, 14–17.02.2024;

    2023

    • Grigoryan, Gohar, Rituals of power in Cilician Armenia, Workshop The Armenians Face New Challenges, Seljuqs and Crusaders (1000–1240), University of Geneva, 31.03.2023;

    • Nasr, Rafca Youssef, Exploring Female Representation in the Latin East, SNSF PRIMA Project LEFem Launch, University of Fribourg, Fribourg, 25.04.2023;

    • Scepanovic, Vesna, Avec M. Bacci et E. Tioli, Conférence internationale , Encountering Other People. Material Religion and Cultural Exchanges in Medieval Eurasia, 03.05 2023;
    • Grigoryan, Gohar, Representational strategies of righteous rulership in the Armenian kingdom of Cilicia, Conference Art and Power in Medieval Societies, CEU Budapest, 19–20.05.2023;
    • Scepanovic, Vesna, Nasr, Rafca et Zoitou, Sofia, SNSF PRIMA Project LEFem Launch, Portraying Medieval Women, The Materiality of Female Images and Art Patronage in the Latin East (12th–15th centuries), 25.05.2023;

    • Nasr, Rafca Youssef, Female Representation in the Latin East: An Extensive Digital Database, International Medieval Congress, 05.06.2023;

    • Nasr, Rafca Youssef, SNSF PRIMA Project LEFem : Data Base, Centre d’Etudes Supérieures de Civilisation Médiévale, University of Poitiers, France, 10.06.2023;
    • Grigoryan, Gohar, Sculpted images and the search for eschatological glory in thirteenth-century Armenia, Workshop on Armenian Sculpture of the 12th-14th Centuries, Yerevan State University, 16.09.2023;
    • Grigoryan, Gohar, Lecture, Rituals of power and the ceremonial display of the king’s institution in Cilician Armenia, Mediävistisches Institut Fribourg, 11.10.2023;
    • Chitishvili, Natalia, Women in Medieval Georgian Sacred Space, 17.10.2023;
    • Grigoryan, Gohar, Scepanovic, Vesna, Bacci, Michele, Conférence internationale , Spaces, Landscapes and Social Lives of the Cross in Medieval Armenia and Georgia, 06-07.11.2023;
    • Grigoryan, Gohar, Cross as Apotropaic Weapon of Christ, international conference: Spaces, Landscapes and Social Lives of the Cross in Medieval Armenia and Georgia, University of Fribourg, 07.11.2023;
    • Grigoryan, Gohar, The East-West paradigm in high medieval Armenia, The evidence of polemical writings and visual sources, Conference Whose East? Defining, Challenging, and Exploring Eastern Christian Art, Index of Medieval Art, Princeton University, 11.11.2023;
    • Nasr, Rafca Youssef, La présence et la réprésentation des femmes médiévales en Orient Latin, Presenza e rapresentazione della donna nell’Oriente Latino e in Italia meridionale, Università di Napoli L’Orientale, 30.11.2022;
    • Šćepanović, Vesna, Zoitou Sofia, Chalcedon, Constantinople, Rovinj, Atlit, Rhodes,Venice: Fourteenth and Fifteenth Century Evidenceon the Lives and Afterlives of Saint Euphemia’s Pilgrimage Sites, NetMAR International Conference, The Arts and Rituals of Pilgrimage, Centre for Medieval Arts & Rituals, Université de Chypre, 01.12.2022;

       

    • Nasr, Rafca Youssef, La Deesis nello spazio e nel tempo liturgico, L’eredità di Bisanzio: diramazioni artistiche e letterarie, Università di Napoli L'Orientale, 6.12.2023;

    • Grigoryan, Gohar, Lecture, Der armenische Gawit, Form und Funktion / Le gavit arménien, forme et fonction, University of Fribourg, 12.12.2023;

    2022

    • Grigoryan Savary, Gohar, Cultural Heritage in a Conflict-Affected Region: The 13th-Century Monastery of Khoranashat in Danger, Tagung im Rahmen des SNF Projektes Cultural Interactions in the Medieval Subcaucasian Region, Universität Fribourg, 10-11.05.2022;
    • Šćepanović, Vesna, Daughters, Mothers, Wives, and Widows: Female Portraits in Medieval Georgia. Workshop: Artistic Networks in the Caucasian Space: New Researches and Perspectives, Université de Fribourg.10– 11. 05.2022;
    • Grigoryan Savary, Gohar, Cilician Armenian Gospel Manuscripts with Royal Images: A Classification, international conference Illuminating the Eastern Christian World, Universität Hamburg, Deutschland, 30.06-01.07.2022. 
    • Šćepanović, Vesna, The Cultic Physiognomy of San Zaccaria’s Monastery in Venice: Reassessing the Pilgrims’ Travelogues. 24th Congress of Byzantine Studies, Venise – Padoue (Ca’ Foscari Université de Venise – Université de Padoue), 22– 27.08.2022;
    • Nasr, Rafca Youssef, La présence et la réprésentation des femmes médiévales en Orient Latin, Presenza e rapresentazione della donna nell’Oriente Latino e in Italia meridionale, Università di Napoli L’Orientale, 30.11.2022;
    • Šćepanović, Vesna, Zoitou Sofia, Chalcedon, Constantinople, Rovinj, Atlit, Rhodes,Venice: Fourteenth and Fifteenth Century Evidenceon the Lives and Afterlives of Saint Euphemia’s Pilgrimage Sites, NetMAR International Conference, The Arts and Rituals of Pilgrimage, Centre for Medieval Arts & Rituals, Université de Chypre, 01.12.2022;

    • Nasr, Rafca Youssef, I dipinti medievali di Saydet El-Rih a Enfeh attraverso uno studio grafico, The Byzantine Legacy in Arts: Ramifications, Transitions and Survival in the East, Università di Napoli L’Orientale, 06.12.2022;

    • Grigoryan, Gohar, Lecture, Der armenische Gawit, Form und Funktion / Le gavit arménien, forme et fonction, University of Fribourg, 12.12.2023;

    2021

    • Bacci, Michele, Trasmigrazioni di immagini tra Bisanzio, Venezia e l’Oriente cristiano (secoli XIV-XVI), in: L’eredità artistica di Bisanzio. Diramazioni, trasmigrazioni, sopravvivenze orientali, Napoli, Università L’Orientale (online), 9.04.2021;

    • Bacci, Michele, Closing remarks, in: The Science of Pilgrimage, Universität Bern (online), 17.-18.06.2021;

    • Bacci, Michele, Comparative Perspectives on Medieval Arts : Limits and Advantages, in: Paradigmen und Perspektiven einer Mediävistischen Komparatistik. Freiburger Kolloquium 2021, 8.-10.09.2021;

    • Bacci, Michele, De l’image littéraire aux images matérielles : cultes et transformations visuelles au fil des siècles, XIIe-XIVe s., in : Passio imaginis Salvatoris. Histoire et transmission, Paris, Auditorium de l’Hotel de Ville, 6.-8.10.2021;

    • Bacci, Michele, Messaggi per l’Onnipotente. Le colonne di Betlemme come supporti visivi della pietà individuale, in: Giornate di archeologia. Arte e storia del vicino e medio Oriente, Mailand, Museo dei Cappuccini, 21.10.2021;

    • Bacci, Michele, ‘Ceci n’est pas une corniche’. Architectural Frames in the Chora Church and in 14th Century Palaiologan Painting, in Re(dis)covering Chora: The Byzantine Name of the Rose, Athen, Kriegsmuseum, 25.-26.11.2021;

    • Bacci, Michele, Remarques conclusives, in Icônes : la fabrique matérielle du visuel, Paris, Petit Palais und Institut national d’histoire de l’art, 8-10.12.2021;

    • Grigoryan Savary, Gohar, Yovhannēs Pluz Erznkac‛i and the Aesthetics of Reception of Royal Images, XV General Conference of the AIEA (Association Intérnationale des Études Arméniennes), Martin Luther Universität Halle-Wittenberg, Deutschland, 2-4.09.2021;

    • Kaffenberger, Thomas, Place and space, memorial and liturgy. Subsidiary spaces and their embellishment in the medieval Caucasus [März 2021, Cultural Interactions in the Medieval Subcaucasian Region, Universität Brno]

    • Kaffenberger, Thomas, L'architecture religieuse Georgienne (Xe-XIIIe s.): pouvoir royal et renouveau artistique [März 2021, Laboratoire d’Archéologie Médiévale et Moderne en Méditerranée, Université d’Aix-en-Provence]

    • Vagnoni, Mirko, La messa in scena del corpo di Federico III d’Aragona re di Sicilia (1296-1337), at Le roi dans sa gloire imperiale (rituels, couronnements, représentations, légitimation et épiphanie), International Conference of the École française de Rome and Casa de Velázquez de Madrid, Versailles, October 15-17, 2020, postponed to Nantes, June 21-27, 2021;

    2020

    • Grigoryan Savary, Gohar, Studer-Karlen, Manuela, Workshop and international conference Staging the Ruler’s Body in Medieval Cultures: A Comparative Perspective, Universität Freiburg, 23–24.11.2020
    • Vagnoni, Mirko, Shaping the Face of Power: the Portraits of King Robert of Anjou (1309-1343), at Staging the Ruler’s Body in Medieval Cultures: A Comparative Perspective, International Conference of the Université de Fribourg (Fribourg, November 23-24, 2020).
    • Studer-Karlen, Manuela, Kaffenberger, Thomas, Bacci, Michele, Doctoral workshop, Dynamics of Artistic Interaction in the Swiss Space – Middle Ages and Early Modern Period, Musée d'art et d'histoire Fribourg, 29.09.2020;
    • Kaffenberger, Thomas, 'Accessing the Sacred': Liminal Spaces of Devotion in Georgian Church Architecture, 5th-11th Centuries, IMC Leeds. 7.2020;
    • Grigoryan Savary, Eastern Christian Perceptions of the Mongols according to visual and textual sources, Univesität zu Köln, Ringvorlesung Byzanz Global, 25.06.2020 (postponed due to Covid).
    • Bacci, Michele, A New Terrasanta : The Shaping of New Holy Sites along the Sea Routes to Jerusalem in the Late Middle Ages, University of Cambridge, 3. Februar 2020

    • Bacci, Michele, Icons in Western Europe, Princeton Athens Center, Athen, 24. Januar 2020;

    • Bacci, Michele, Οἱ εἰκόνες τῆς Παναγίας ἀποδιδόμενες στὸν Εὐαγγελιστὴ Λουκᾶ καὶ ἡ λατρεῖα τους στὴν Κύπρο, Vortrag im 5. internationalen Kongress der zyprischen Agiologie,  Paralimni (Zypern), Hl. Metropolis von Konstantia und Ammochostos, 12.-16. Februar 2020;

    • Bacci, Michele, Le pèlerinage à Jérusalem et l’art des Lieux saint au Moyen Âge, Fribourg, Musée Bible+Orient, 26. Februar 2020;

    • Bacci, Michele ,L’arte nel regno cipriota dei Lusignano, Vortrag am Festival del Medioevo, Gubbio, 27. September 2020;